Tag Archives: live folk

Finished walking the Lea Valley Way!

Lea Valley Way is the 50-mile long-distance walking route following the River Lea from its birth spring in the suburbs of Luton to the Thames near Limehouse.

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Originally, I planned on finishing the walk in 4 consecutive days in July 2015, but as life would have it, I finished it in September 2017. : )

Chronologically, the walking went like this:

Lea Valley Walk, Stage 1 / 17.07.2015 / ~ 36 km; read about that stupidly lucky walk here

Lea Valley Walk, Stage 2 / 16.04.2016 / 25.9 km; the unfinished attempt for Stage 2 is documented in this post

Lea Valley Walk, Stage 2 / 07.09.2017 / 22.6 km — THE REAL FINISH DAY —

Lea Valley Walk, Stage 3 / 19.07.2015 / 23 km

Lea Valley Walk, Stage 4 / 26.09.2016 / 7.9 km

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Practically, the walking went like this:

  • You think it will be easy-peasy and everything will be waymarked, so you won’t take a map or a compass, and will follow your gut feeling. You also wear woolly winter walking socks on a late July day.
  • You reach home after getting stuck at potato fields with your feet bleeding.
  • You go out again, this time with friends, and end up walking next to the canal for such a long tine that some people go home because of boredom.
  • An entire year passes.
  • You are now ready for the two last stages.
  • You head out with two walkers. One of them leaves half way. A mere 2 km from the finishline, you learn that the road have been closed. The road workers give you a lift to a train station in the night.
  • You walk the final stage out of spite in autumn. It is lovely. But the unfinished stage bothers you. Obviously.
  • An entire year passes.
  • You go out with two friends to finish the unfinished journey. When being 2 km from the finishline, you suddenly understand that you took a wrong turn the last time, and could have finished the journey probably already 1.5 years ago. 😀

The lesson learned?

Never ever underestimate a journey. Always take a compass. And don’t forget to carry apples. Also, walk with friends who carry them.

Thank you, Lea Valley Way. You were my first long distance walking path. And the start of many things that have made me happy.

 

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Arctic tundras and canal shores of Venice. Going after unstructured experiences.

A hunt for unstructured experiences is the easiest way to summarise my year of 2016. Yes, I did doctoral research on the topic but the theme was definitely prominent also in other areas of my life (in art, mountaineering training, etc.).

For a while now, I shall probably be posting about different ways to go after that specific type of experience. I will give my best to try to approach it from all angles, large or small, crooked or right angled, and see what makes it longed for, for me and for a lot of people of my time.

This post will focus on two very straightforward ways of achieving a completely fresh spatial experience without throwing yourself off a train without a map. It will focus on ways for designing surprises that work, for yourself.

1. Give someone permission to take you on a trip without telling you the destination.

Lessons learned from the Arctic Norway and Finnish Lapland in September 2016.

Let another person pack your clothes, choose the date and not tell you where you will be going. Destination awareness can be left for the check-in desk, train station or the boat mooring spot.

In September, I had a fabulous chance to experience that type of once again. It is definitely one of my most favourite modes of travelling. Of course, it is romantic to the core, but it also frees you from the philosophical task number 1: to know where you’re going.

And this is where the surprise design kicks in. If all you know is the return date, every following detail starts acting as a structural element of your adventure:

– not knowing when you have to wake up;

– not knowing whether there are plans for the next day;

– not knowing what is in the neighbourhood, near or far;

– not knowing what to take with you;

– not knowing which means of transport to use;

– not having to worry about reaching a place at a certain time;

– not knowing when and where you’ll be eating;

– not knowing which direction you’re going;

– not knowing what to expect.

Unstructuralism achieved!

2. Change the time and scope of your wanderings

Lessons learned on Venice canal shores in November 2016.

It is worth it. If you suddenly find yourself attracted to a city that is an object of admiration to the entire world … don’t go exploring it at the heels of it.

I am talking about these destinations that do not even have an off season, to use holiday parlance.

So, how to find your city inside everyone else’s?

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Night in San Marco, Venice. November 2016.

If possible, arrive very early or very late. This makes your first impression more personal.

Then, schedule your first longer wander outside the tourist hours. Yes, you are on a holiday (I only use the word “holiday” for city trips; outside of it, the concept does not even work), so setting the alarm for 3.30 AM may feel like the first signs of madness, but the sleepiness will lift as soon as you enter the empty maze that every new city is.

Imagination works better when left alone in an empty space. It is also easier to get a feel for a place that is uniquely meaningful only for you.

What else helps? Making a game of spotting a certain elements (like a weathered pattern on a wall) in every new street or square. This way you will end up looking into little side streets and courtyards more often.

Visiting cemeteries always helps. When a city is crowded, her cemeteries are usually less packed (well, depending how you’re counting). Cemeteries let you in on the spirit of the place (no pun intended) without having to fight the crowds.

For extra ideas, it is worth reading Microadventures by Alastair Humphreys or taking a an official city guide book and reversing everything that can be reversed.

Also, on the topic: “The rational flâneur is someone who, unlike a tourist, makes a decision at every step to revise his schedule, so he can imbibe things based on new information, what Nero was trying to practice in his travels, often guided by his sense of smell. The flâneur is not a prisoner of a plan. Tourism, actual or figurative, is imbued with the teleological illusion; it assumes completeness of vision and gets one locked into a hard-to-revise program, while the flâneur continuously – and, what is crucial, rationally – modifies his targets as he acquires information.” (From Antifragile by Nassim Nicholas Taleeb)